POSTMODERN PARODY AS ONTOLOGIZATION OF REALITY (BASED ON THE STORY BY D. BARTHELMY "A SHOWER OF GOLD")

The article examines the problem of postmodern parody from point view its ontologizing potential, namely interpretation within limits subject. concept ontologization is interpreted in tradition opposition to paradigm philosophy presence extra-subjective versions ontology, particular intertextuality. actualization as a formative tool along with explicit or implicit accentuation integrity world picture search for metaphysical grounds aesthetic system postmodernism and D. Barthelemy's poetics. substantiates philosophical aspect accepted scientific literature mode organization structure text form-content general aesthetics. universal nature an interpretive optics technique textual collage conditions visual turn 20th-21st centuries outlined. It has been found that use form cataloging reality reformatting inherent poetics Barthelemy. shown writer formal substantive principle, artistic instruction, not just technique. demonstrativeness, "nakedness" achieved by changing phrasal modes, alternating dialogues descriptions, visualizing action. structural levels overlap both at intertextual level numerous pretexts supporting semantic symbolic series. Therefore, transgression manifests itself through unity separation coder decoder moment forming ethos fragmented experience. concluded grotesque can be considered synesthetic sense-generative models literature. Parody vital receptive cognitive ontologize subject text. paradoxical, finalized, objectified entelechy parody, which practically never ontologized does acquire features subjectivity. Postmodern reformats narrative structure, thus giving it additional dimensions.